S I C I L I A C L A S S I C A F E S T I V A L


Carmen
by Georges Bizet
Ancient Theatre, Saturday 17th August 2024 @ 9.00pm
Artistic Director: Nuccio ANSELMO
Orchesta and Chorus: Sicilia Classica Festival
Carmen is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on a novella of the same title by Prosper Mérimée.
The opera, written in the genre of opéra comique, tells the story of the downfall of Don José, a naïve soldier who is seduced by the wiles of the fiery Gypsy, Carmen. José abandons his childhood sweetheart and deserts from his military duties, yet loses Carmen’s love to the glamorous toreador Escamillo, after which José kills her in a jealous rage.
The music of Carmen has been widely acclaimed for its brilliance of melody, harmony, atmosphere and orchestration, and for the skill with which Bizet musically represented the emotions and suffering of his characters. After the composer’s death the score was subject to significant amendment, including the introduction of recitative in place of the original dialogue; there is no standard edition of the opera, and different views exist as to what versions best express Bizet’s intentions.
TICKETS on Vivaticket
Gallery (section A): € 78,54
Gallery (section B): € 89.76
Gallery (section C): € 100,98
Gallery (section D): € 89,76
Gallery (section E): € 78,54
Cavea (Upper Circle – Section B): € 67,32
Cavea (Upper Circle – Section C): € 78,54
Cavea (Upper Circle – Section D): € 67,32
Cavea (Upper Circle, non-numbered seats): € 39,27
SYNOPSIS
Place: Seville, Spain, and surrounding hills – Time: Around 1820
Act 1 – A square, in Seville. On the right, a door to the tobacco factory. At the back, a bridge. On the left, a guardhouse
A group of soldiers relaxes in the square, waiting for the changing of the guard and commenting on the passers-by (“Sur la place, chacun passe”). Micaëla appears, seeking José. Moralès tells her that “José is not yet on duty” and invites her to wait with them. She declines, saying she will return later. José arrives with the new guard, which is greeted and imitated by a crowd of urchins (“Avec la garde montante”). A lithograph of act 1 in the premiere performance, by Pierre-Auguste Lamy, 1875
As the factory bell rings, the cigarette girls emerge and exchange banter with young men in the crowd (“La cloche a sonné”). Carmen enters and sings her provocative habanera on the untameable nature of love (“L’amour est un oiseau rebelle”). The men plead with her to choose a lover, and after some teasing she throws a flower to Don José, who thus far has been ignoring her but is now annoyed by her insolence.
As the women go back to the factory, Micaëla returns and gives José a letter and a kiss from his mother (“Parle-moi de ma mère!”). He reads that his mother wants him to return home and marry Micaëla, who retreats in shy embarrassment on learning this. Just as José declares that he is ready to heed his mother’s wishes, the women stream from the factory in great agitation. Zuniga, the officer of the guard, learns that Carmen has attacked a woman with a knife. When challenged, Carmen answers with mocking defiance (“Tra la la… Coupe-moi, brûle-moi”); Zuniga orders José to tie her hands while he prepares the prison warrant. Left alone with José, Carmen beguiles him with a seguidilla, in which she sings of a night of dancing and passion with her lover—whoever that may be—in Lillas Pastia’s tavern. Confused yet mesmerised, José agrees to free her hands; as she is led away she pushes her escort to the ground and runs off laughing. José is arrested for dereliction of duty.
Act 2 – Lillas Pastia’s Inn
A month has passed. Carmen and her friends Frasquita and Mercédès are entertaining Zuniga and other officers (“Les tringles des sistres tintaient”) in Pastia’s inn. Carmen is delighted to learn of José’s release from a month’s detention. Outside, a chorus and procession announces the arrival of the toreador Escamillo (“Vivat, vivat le Toréro”). Invited inside, he introduces himself with the “Toreador Song” (“Votre toast, je peux vous le rendre”) and sets his sights on Carmen, who brushes him aside. Lillas Pastia hustles the crowds and the soldiers away.
When only Carmen, Frasquita and Mercédès remain, the smugglers Dancaïre and Remendado arrive and reveal their plans to dispose of some recently acquired contraband (“Nous avons en tête une affaire”). Frasquita and Mercédès are keen to help them, but Carmen refuses, since she wishes to wait for José. After the smugglers leave, José arrives. Carmen treats him to a private exotic dance (“Je vais danser en votre honneur … La la la”), but her song is joined by a distant bugle call from the barracks. When José says he must return to duty, she mocks him, and he answers by showing her the flower that she threw to him in the square (“La fleur que tu m’avais jetée”). Unconvinced, Carmen demands he shows his love by leaving with her. José refuses to desert, but as he prepares to depart, Zuniga enters looking for Carmen. He and José fight, and are separated by the returning smugglers, who restrain Zuniga. Having attacked a superior officer, José now has no choice but to join Carmen and the smugglers (“Suis-nous à travers la campagne”).
Act 3 – A wild spot in the mountains Magdalena Kožená and Jonas Kaufmann at the Salzburg Festival 2012
Carmen and José enter with the smugglers and their booty (“Écoute, écoute, compagnons”); Carmen has now become bored with José and tells him scornfully that he should go back to his mother. Frasquita and Mercédès amuse themselves by reading their fortunes from the cards; Carmen joins them and finds that the cards are foretelling her death, and José’s. The women depart to suborn the customs officers who are watching the locality. José is placed on guard duty.
Micaëla enters with a guide, seeking José and determined to rescue him from Carmen (“Je dis que rien ne m’épouvante”). On hearing a gunshot she hides in fear; it is José, who has fired at an intruder who proves to be Escamillo. José’s pleasure at meeting the bullfighter turns to anger when Escamillo declares his infatuation with Carmen. The pair fight (“Je suis Escamillo, toréro de Grenade”), but are interrupted by the returning smugglers and girls (“Holà, holà José”). As Escamillo leaves he invites everyone to his next bullfight in Seville. Micaëla is discovered; at first, José will not leave with her despite Carmen’s mockery, but he agrees to go when told that his mother is dying. As he departs, vowing he will return, Escamillo is heard in the distance, singing the toreador’s song.
Act 4 – A square in Seville. At the back, the walls of an ancient amphitheatre
Zuniga, Frasquita and Mercédès are among the crowd awaiting the arrival of the bullfighters (“Les voici ! Voici la quadrille!”). Escamillo enters with Carmen, and they express their mutual love (“Si tu m’aimes, Carmen”). As Escamillo goes into the arena, Frasquita warns Carmen that José is nearby, but Carmen is unafraid and willing to speak to him. Alone, she is confronted by the desperate José (“C’est toi ! C’est moi !”). While he pleads vainly for her to return to him, cheers are heard from the arena. As José makes his last entreaty, Carmen contemptuously throws down the ring he gave her and attempts to enter the arena. He then stabs her, and as Escamillo is acclaimed by the crowds, Carmen dies. José kneels and sings “Ah! Carmen! ma Carmen adorée!”; as the crowd exits the arena, José confesses to killing the woman he loved.
MORE INFO
SICILIA CLASSICA FESTIVAL: www.facebook.com/siciliaclassicafestival – siciliaclassicafestival@gmail.com – Mob. +39 339 529 9932
WHERE TO STAY
Hotel La Pensione Svizzera – Hotel Villa Schuler – Hotel Villa Ducale – Hotel Villa Carlotta
September 7, 2024 – Ricchi e Poveri
S I C I L I A C L A S S I C A F E S T I V A L
Ricchi e Poveri
Summer Tour
Ancient Theatre, Saturday 7 September 2024 @ 9.00pm
Ricchi e Poveri (pronounced [ˈrikki e pˈpɔːveri, -kj e -]; is an Italian pop group formed in Genoa in 1967, originally consisting of Angela Brambati, Angelo Sotgiu, Franco Gatti and Marina Occhiena. Active since the late 1960s, they have sold over 20 million records.
TICKETS on Vivaticket
Parterre (Platea): € 134,64
Gallery (section A): € 78,54
Gallery (section B): € 89.76
Gallery (section C): € 100,98
Gallery (section D): € 89,76
Gallery (section E): € 78,54
Cavea (Upper Circle – Section B): € 67,32
Cavea (Upper Circle – Section C): € 78,54
Cavea (Upper Circle – Section D): € 67,32
Cavea (Upper Circle, non-numbered seats): € 39,27
MORE INFO
RICCHI E POVERI: https://ricchiepoveri.com – www.facebook.com/RicchiePoveriOfficial
SICILIA CLASSICA FESTIVAL: www.facebook.com/siciliaclassicafestival – siciliaclassicafestival@gmail.com – Mob. +39 339 529 9932
WHERE TO STAY
Hotel La Pensione Svizzera – Hotel Villa Schuler – Hotel Villa Ducale – Hotel Villa Carlotta
September 2, 2024 – Mario Venuti & Matteo Garrone
Mario Venuti & Matteo Garrone
Tra la Terra e il Cielo Tour – La Poetica reale del Cinema
Ancient Theatre, September 2, 2024 @9.00pm
Matteo Garrone is a worldwide konown Italian Film director and producer.
He won the European Film Award for Best Director and the David di Donatello for Best Director for Gomorrah (2008). His film Reality (2012) won the Grand Prix at the 2012 Cannes Film Festival.
His films Tale of Tales (2015) and Dogman (2018) were selected to compete for the Palme d’Or at the 2015 Cannes Film Festival and the 2018 Cannes Film Festival respectively. The Nastro d’Argento awarded Garrone both Best Producer and Best Director for Dogman. He received the latter again for Pinocchio (2019).
In 2019, Garrone was invited to become a member of the Academy of Motion Picture Arts and Sciences. In 2024, his film Io capitano (2023) was nominated for the Academy Award for Best International Feature Film at the 96th Academy Awards, representing Italy.
Mario Venuti is a Sicilian singer-songwriter, musician and record producer.
Tonight Matteo Garrone and Mario Venuti will have a long conversation (in Italian) about Poetics in the cinema world
TICKETS on ticketone
Parterre (Stalls): € 66,00
Gallery (Sector n. 2): € 55,00
Cavea (upper circle – central, numered seats): € 44,00
Cavea (upper circle – lateral, non-numbered seats): € 33,00
WHERE TO STAY
Hotel La Pensione Svizzera – Hotel Villa Schuler – Hotel Villa Ducale – Hotel Villa Carlotta
August 27, 2024 – The Swan Lake
Il Lago dei Cigni Oltre il Sogno
by Pëtr Il’ič Čajkovskij
Ancient Theatre, Tuesday 27th August 2024 @9.00pm
Guest Stars
Amilcar Gonzales
Oksana Bondareva
Alex Atzewi
Choreography
Andrej Lyapin
Gabriella Cutrupi
Melania Liotta
Art Director
Pietro Gorgone
Production
Balletto di Sicilia
TICKETS on boxol
Single non numberd seat: € 25,00
MORE INFO
https://ballettodisicilia.com – Infoline (mobile): 0039 349 5959 101
WHERE TO STAY
Hotel La Pensione Svizzera – Hotel Villa Schuler – Hotel Villa Ducale – Hotel Villa Carlotta
August/September 2024 – Un Palco Per Tutti
Un Palco Per Tutti
Taormina Public Gardens “Parco Trevelyan” – August and September 2024 @ 8.30pm
Free Entrance
AUGUST
August 1 – Tropicana Dance Academy
August 6 – The Brass Experience
August 11 – Caravaggio un Genio Ribelle
August 24 – Tribute Band…. anche no!
August 30 – Non sono Alice… Inarteclizia
August 31 – UNICEF Summer Fest
SEPTEMBER
September 4 – Yoga Festival
September 6 – Candle Light
September 8 – Tarantella Fest
September 9 – Musica è…
September 9 – BIM BUM BAMbini
September 12 – Taormina Jazz Festival > Fabrizio Bosso
September 13 – Taormina Jazz Festival > Tarek Yosvany Trio
September 14 – Taormina Jazz Festival – Brasiliana Trio
September 15 – Taormina Jazz Festival – Danilo Rea
September 16 – Varaity
WHERE TO STAY
Hotel La Pensione Svizzera – Hotel Villa Schuler – Hotel Villa Ducale – Hotel Villa Carlotta
August 2024 – Festival Taormina Arte
F E S T I V A L T A O R M I N A A R T E 2 0 2 4
FESTIVAL TAORMINA ARTE – 2024
Ancient Theatre
and
Taormina Public Gardens “Florence Trevelyan”
August 2024 @ 9.30pm
TICKETS
Ancient Theatre
Parterre: € 40,00
Gallery: 30,00
Upper circle (non-numbered seats): € 20,00 – Reduced (under 26 and over 65) € 15,00
* Reduced tickets available only at the points of sale
Public Gardens
Non-numbered single ticket: € 10,00
———————————————–
> Monday 19th August 2024 @ 9.30pm, Ancient Theatre
Dee Dee Bridgewater
We Exist
Tickets on ticketone and boxol
> Tuesday 20th August 2024 @ 9.00pm, Public Gardens
Giuseppe Moschella and Emanuela Mulè
1 Show x Duo
Tickets on ticketone and boxol
> Wednesday 21st August 2024 @ 9.30pm, Ancient Theatre
Seasons / Kataklò / I Filarmonici Italiani
Tickets on ticketone and boxol
> Thursday 22nd August 2024 @ 9.00pm, Public Gardens
I Solisti Filarmonici Italiani
The Four Seasons
Tickets on ticketone and boxol
NB >> Guests of our hotels will receive free tickets! Ask the reception
Hotel La Pensione Svizzera – Hotel Villa Schuler – Hotel Villa Ducale – Hotel Villa Carlotta
> Friday 23 August 2024 @9.30pm, Ancient Theatre
Vinicio Capossela
Vecchi tasti. Camera a sud (full performance)
Tickets on ticketone and boxol
> Sunday 25 August 2024 @ 9.00pm, Public Gardens
Michele di Toro
Unlimited, from Mozart to Morricone (piano)
Tickets on ticketone and boxol
> Monday 26th August 2024 @9.00pm, Public Gardens
Enzo Decaro and the Ánema Quartet
“Renatissimo”: homage to Renato Carosone
> Tuesday 27th August 2024 @9.00, Public Gardens
Jany McPherson Trio
A Long Way
Tickets on ticketone and boxol
> Wednesday 28th August 2024 @9.00pm, Public Gardens
Ornella Muti and Americas Trio
Passioni Ribelli
Tickets on ticletone and boxol
Thursday 29 August 2024 @ 9.30pm, Ancient Theatre
Amii Stewart
Ci vorrebbero 1000 canzoni
Tickets on boxol and ticketone
MORE INFO
Fondazione Taormina Arte – https://festivaltaorminarte.it – www.facebook.com/fondazionetaorminartesicilia
WHERE TO STAY
Hotel La Pensione Svizzera – Hotel Villa Schuler – Hotel Villa Ducale – Hotel Villa Carlotta
August 18, 2024 – “Madama Butterfly” by G. Puccini
S I C I L I A C L A S S I C A F E S T I V A L
Madama Butterfly
An opera by Giacomo Puccini
Ancient Theatre, Sunday 18th August 2024 @ 9.00pm
Artistic Director: Nuccio ANSELMO
Orchesta and Chorus: Sicilia Classica Festival
TICKETS on Vivaticket
Gallery (section A): € 78,54
Gallery (section B): € 89.76
Gallery (section C): € 100,98
Gallery (section D): € 89,76
Gallery (section E): € 78,54
Cavea (Upper Circle – Section B): € 67,32
Cavea (Upper Circle – Section C): € 78,54
Cavea (Upper Circle – Section D): € 67,32
Cavea (Upper Circle, non-numbered seats): € 39,27
Synopsis
Act 1
In 1904, a U.S. Naval officer named Pinkerton rents a house on a hill in Nagasaki, Japan, for himself and his soon-to-be wife, “Butterfly”. Her real name is Ciocio-san, (cio-cio, pronounced “chocho”[needs IPA]: the Japanese word for “butterfly” is chō (蝶?) or chōchō/chōcho (蝶々 or 蝶蝶?)). She is a 15-year-old Japanese girl whom he is marrying for convenience, since he intends to leave her once he finds a proper American wife, and since Japanese divorce laws are very lax. The wedding is to take place at the house. Butterfly had been so excited to marry an American that she had earlier secretly converted to Christianity. After the wedding ceremony, her uninvited uncle, a bonze, who has found out about her conversion, comes to the house, curses her and orders all the guests to leave, which they do while renouncing her. Pinkerton and Butterfly sing a love duet and prepare to spend their first night together.
Act 2
Three years later, Butterfly is still waiting for Pinkerton to return, as he had left shortly after their wedding. Her maid Suzuki keeps trying to convince her that he is not coming back, but Butterfly will not listen to her. Goro, the marriage broker who arranged her marriage, keeps trying to marry her off again, but she won’t listen to him either. The American Consul, Sharpless, comes to the house with a letter which he has received from Pinkerton which asks him to break some news to Butterfly: that Pinkerton is coming back to Japan, but Sharpless cannot bring himself to finish it because Butterfly becomes very excited to hear that Pinkerton is coming back. Sharpless asks Butterfly what she would do if Pinkerton were not to return. She then reveals that she gave birth to Pinkerton’s son after he had left and asks Sharpless to tell him.
From the hill house, Butterfly sees Pinkerton’s ship arriving in the harbour. She and Suzuki prepare for his arrival, and then they wait. Suzuki and the child fall asleep, but Butterfly stays up all night waiting for him to arrive.
Act 3
Suzuki wakes up in the morning and Butterfly finally falls asleep. Sharpless and Pinkerton arrive at the house, along with Pinkerton’s new American wife, Kate. They have come because Kate has agreed to raise the child. But, as Pinkerton sees how Butterfly has decorated the house for his return, he realizes he has made a huge mistake. He admits that he is a coward and cannot face her, leaving Suzuki, Sharpless and Kate to break the news to Butterfly. Agreeing to give up her child if Pinkerton comes himself to see her, she then prays to statues of her ancestral gods, says goodbye to her son, and blindfolds him. She places a small American flag into his hands and goes behind a screen, cutting her throat with her father’s hara-kiri knife. Pinkerton rushes in, but he is too late, and Butterfly dies.
MORE INFO
SICILIA CLASSICA FESTIVAL: www.facebook.com/siciliaclassicafestival – siciliaclassicafestival@gmail.com – Mob. +39 339 529 9932
WHERE TO STAY
Hotel La Pensione Svizzera – Hotel Villa Schuler – Hotel Villa Ducale – Hotel Villa Carlotta
August 17 – “Carmen” by Georges Bizet
S I C I L I A C L A S S I C A F E S T I V A L
Carmen
by Georges Bizet
Ancient Theatre, Saturday 17th August 2024 @ 9.00pm
Artistic Director: Nuccio ANSELMO
Orchesta and Chorus: Sicilia Classica Festival
Carmen is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on a novella of the same title by Prosper Mérimée.
The opera, written in the genre of opéra comique, tells the story of the downfall of Don José, a naïve soldier who is seduced by the wiles of the fiery Gypsy, Carmen. José abandons his childhood sweetheart and deserts from his military duties, yet loses Carmen’s love to the glamorous toreador Escamillo, after which José kills her in a jealous rage.
The music of Carmen has been widely acclaimed for its brilliance of melody, harmony, atmosphere and orchestration, and for the skill with which Bizet musically represented the emotions and suffering of his characters. After the composer’s death the score was subject to significant amendment, including the introduction of recitative in place of the original dialogue; there is no standard edition of the opera, and different views exist as to what versions best express Bizet’s intentions.
TICKETS on Vivaticket
Gallery (section A): € 78,54
Gallery (section B): € 89.76
Gallery (section C): € 100,98
Gallery (section D): € 89,76
Gallery (section E): € 78,54
Cavea (Upper Circle – Section B): € 67,32
Cavea (Upper Circle – Section C): € 78,54
Cavea (Upper Circle – Section D): € 67,32
Cavea (Upper Circle, non-numbered seats): € 39,27
SYNOPSIS
Place: Seville, Spain, and surrounding hills – Time: Around 1820
Act 1 – A square, in Seville. On the right, a door to the tobacco factory. At the back, a bridge. On the left, a guardhouse
A group of soldiers relaxes in the square, waiting for the changing of the guard and commenting on the passers-by (“Sur la place, chacun passe”). Micaëla appears, seeking José. Moralès tells her that “José is not yet on duty” and invites her to wait with them. She declines, saying she will return later. José arrives with the new guard, which is greeted and imitated by a crowd of urchins (“Avec la garde montante”). A lithograph of act 1 in the premiere performance, by Pierre-Auguste Lamy, 1875
As the factory bell rings, the cigarette girls emerge and exchange banter with young men in the crowd (“La cloche a sonné”). Carmen enters and sings her provocative habanera on the untameable nature of love (“L’amour est un oiseau rebelle”). The men plead with her to choose a lover, and after some teasing she throws a flower to Don José, who thus far has been ignoring her but is now annoyed by her insolence.
As the women go back to the factory, Micaëla returns and gives José a letter and a kiss from his mother (“Parle-moi de ma mère!”). He reads that his mother wants him to return home and marry Micaëla, who retreats in shy embarrassment on learning this. Just as José declares that he is ready to heed his mother’s wishes, the women stream from the factory in great agitation. Zuniga, the officer of the guard, learns that Carmen has attacked a woman with a knife. When challenged, Carmen answers with mocking defiance (“Tra la la… Coupe-moi, brûle-moi”); Zuniga orders José to tie her hands while he prepares the prison warrant. Left alone with José, Carmen beguiles him with a seguidilla, in which she sings of a night of dancing and passion with her lover—whoever that may be—in Lillas Pastia’s tavern. Confused yet mesmerised, José agrees to free her hands; as she is led away she pushes her escort to the ground and runs off laughing. José is arrested for dereliction of duty.
Act 2 – Lillas Pastia’s Inn
A month has passed. Carmen and her friends Frasquita and Mercédès are entertaining Zuniga and other officers (“Les tringles des sistres tintaient”) in Pastia’s inn. Carmen is delighted to learn of José’s release from a month’s detention. Outside, a chorus and procession announces the arrival of the toreador Escamillo (“Vivat, vivat le Toréro”). Invited inside, he introduces himself with the “Toreador Song” (“Votre toast, je peux vous le rendre”) and sets his sights on Carmen, who brushes him aside. Lillas Pastia hustles the crowds and the soldiers away.
When only Carmen, Frasquita and Mercédès remain, the smugglers Dancaïre and Remendado arrive and reveal their plans to dispose of some recently acquired contraband (“Nous avons en tête une affaire”). Frasquita and Mercédès are keen to help them, but Carmen refuses, since she wishes to wait for José. After the smugglers leave, José arrives. Carmen treats him to a private exotic dance (“Je vais danser en votre honneur … La la la”), but her song is joined by a distant bugle call from the barracks. When José says he must return to duty, she mocks him, and he answers by showing her the flower that she threw to him in the square (“La fleur que tu m’avais jetée”). Unconvinced, Carmen demands he shows his love by leaving with her. José refuses to desert, but as he prepares to depart, Zuniga enters looking for Carmen. He and José fight, and are separated by the returning smugglers, who restrain Zuniga. Having attacked a superior officer, José now has no choice but to join Carmen and the smugglers (“Suis-nous à travers la campagne”).
Act 3 – A wild spot in the mountains Magdalena Kožená and Jonas Kaufmann at the Salzburg Festival 2012
Carmen and José enter with the smugglers and their booty (“Écoute, écoute, compagnons”); Carmen has now become bored with José and tells him scornfully that he should go back to his mother. Frasquita and Mercédès amuse themselves by reading their fortunes from the cards; Carmen joins them and finds that the cards are foretelling her death, and José’s. The women depart to suborn the customs officers who are watching the locality. José is placed on guard duty.
Micaëla enters with a guide, seeking José and determined to rescue him from Carmen (“Je dis que rien ne m’épouvante”). On hearing a gunshot she hides in fear; it is José, who has fired at an intruder who proves to be Escamillo. José’s pleasure at meeting the bullfighter turns to anger when Escamillo declares his infatuation with Carmen. The pair fight (“Je suis Escamillo, toréro de Grenade”), but are interrupted by the returning smugglers and girls (“Holà, holà José”). As Escamillo leaves he invites everyone to his next bullfight in Seville. Micaëla is discovered; at first, José will not leave with her despite Carmen’s mockery, but he agrees to go when told that his mother is dying. As he departs, vowing he will return, Escamillo is heard in the distance, singing the toreador’s song.
Act 4 – A square in Seville. At the back, the walls of an ancient amphitheatre
Zuniga, Frasquita and Mercédès are among the crowd awaiting the arrival of the bullfighters (“Les voici ! Voici la quadrille!”). Escamillo enters with Carmen, and they express their mutual love (“Si tu m’aimes, Carmen”). As Escamillo goes into the arena, Frasquita warns Carmen that José is nearby, but Carmen is unafraid and willing to speak to him. Alone, she is confronted by the desperate José (“C’est toi ! C’est moi !”). While he pleads vainly for her to return to him, cheers are heard from the arena. As José makes his last entreaty, Carmen contemptuously throws down the ring he gave her and attempts to enter the arena. He then stabs her, and as Escamillo is acclaimed by the crowds, Carmen dies. José kneels and sings “Ah! Carmen! ma Carmen adorée!”; as the crowd exits the arena, José confesses to killing the woman he loved.
MORE INFO
SICILIA CLASSICA FESTIVAL: www.facebook.com/siciliaclassicafestival – siciliaclassicafestival@gmail.com – Mob. +39 339 529 9932
WHERE TO STAY
Hotel La Pensione Svizzera – Hotel Villa Schuler – Hotel Villa Ducale – Hotel Villa Carlotta
August 10, 2024 – Ennio Morricone Tribute
F E S T I V A L L I R I C O D E I T E A T R I D I P I E T R A
Ennio Morricone Tribute
Ancient Theatre, Saturday 10th August 2024 @ 9.00pm
Special Guest: Alberto Urso
TICKETS on ticketone
Parterre Gold: € 75,00
Parterre: € 65,00
Gallery (central): € 55,00
Gallery (lateral): € 45,00
Cavea (upper circle – central, nymbered seats): € 33,00
Cavea (upper circle – lateral, non-numbered seats): € 22,00
MORE INFO
Coro Lirico Siciliano: www.facebook.com/coroliricosiciliano?locale=it_IT
WHERE TO STAY
Hotel La Pensione Svizzera – Hotel Villa Schuler – Hotel Villa Ducale – Hotel Villa Carlotta
August 9, 2024 – Turandot
F E S T I V A L L I R I C O D E I T E A T R I D I P I E T R A
Turandot
An Opera by Giacomo Puccini
Ancient Theatre, Friday 9th August 2024 @ 9.00pm
CAST
Turandot: Chrystelle Di Marco
Calaf: Eduardo Sandoval
Liù: Elena Mosuc
Production: Festival Lirico dei Teatri di Pietra
Direction: Salvo Dolce
Chourus: Coro Lirico Siciliano
TICKETS on ticketone
Parterre Gold: € 98,00
Parterre: € 88,00
Gallery (central): € 77,00
Gallery (lateral): € 66,00
Cavea (upper circle – central, nymbered seats): € 50,00
Cavea (upper circle – lateral, non-numbered seats): € 27,50
MORE INFO
Coro Lirico Siciliano: www.facebook.com/coroliricosiciliano?locale=it_IT
WHERE TO STAY
Hotel La Pensione Svizzera – Hotel Villa Schuler – Hotel Villa Ducale – Hotel Villa Carlotta
August 4, 2024 – Cavalleria Rusticana by P. Mascagni (CHOSEN ARIAS)
I T A L I A N O P E R A T A O R M I N A
Italian Opera Taormina – Opera Selection
Cavalleria Rusticana
Opera by Pietro Mscagni
Gardens of the Teatro Nazarena, via Fontana Vecchia n°3, on Sunday 4th August 2024 @ 9.15pm
Entrance: strictly by 8.45pm. The performance will start at 9.00pm and it’s convenient to arrive 30 minutes earlier.
* In case of bad weather conditions, the performance will be held inside the Nazarene Theater
Since December 6th 2023, The Italian Opera is listed among the wonders of the Intangible Heritage of the World.
The artists of the Italian Opera Taormina will show you why!
Opera Selection is a selection of works performed live with excellent artists and accompanied by pianists equally virtuous. Every first Sunday of the month a different Opera is on show.
Sunday 4th August 2024: Cavalleria Rusticana by Pietro Mascagni
On stage:
SANTUZZA
Carmen Salomone
ALFIO
Graziano D’Urso
TURIDDU
Moises Molis
LOLA
Sabrina Messina
Maestro: Antonio Gennaro
Art Director: Silvia Di Falco
Costumes: Italian Opera Live
Scenic Design: Clara Intilisano
TICKETS on Italian Opera Taormina @ € 50,00 (standard, unassigned tickets)
Drink on the panoramic terrace included
Free for children up to 6 yo
MORE INFO
For more info and booking, please contact the mobile 0039 340 64 26 230 or ask your hotel.
www.italianoperataormina.com – www.facebook.com/italianoperataormina – www.instagram.com/italianoperataormina
Info and booking: mobile 0039 340 6426230 – info@italianoperataormina.com
WHERE TO STAY
Hotel La Pensione Svizzera – Hotel Villa Schuler – Hotel Villa Ducale – Hotel Villa Carlotta