ANFITEATRO SICILIA 2017
Medea
by Seneca
Greek Theatre, August 4 2017 @ 9.30pm
Translation: Filippo Amoroso
Direction: Walter Pagliaro
Performers: Micaela Esdra Creonte: Luciano Virgilio Giasone: Blas Roca Rey
Musics edited by Germano Mazzocchetti
Set design: Michele Cacciofera
Medea is a fabula crepidata (Roman tragedy with Greek subject) written by Lucius Annaeus Seneca. It is generally considered to be the strongest of his earlier plays. It was written around 50 CE. The play is about the vengeance of Medea against her betraying husband Jason and King Creon. Medea is the leading role in the play and her character dominates the play.
Characters
Medea: daughter of King Aeets (King of Colchis), wife of Jason
Chorus: Corinthians, hostilte to Medea and not Jason
Nutrix (nurse): nurse of Medea
Creon: King of Corinth, father of Princess Creusa
Jason: husband of Medea who leaves her for the princess, son Aeson
nuntius (messenger)
Two sons of Medea and Jason: mute characters
Background
Medea falls in love with Jason while he is on his quest for the Golden Fleece. Medea uses her supernatural powers to aid Jason in completing the tasks that King Aeets (Medea’s dad) set. The three tasks where: yoke the fiery bulls, compete with the giants, and slay the dragon that was guarding the fleece. In order to flee with Jason, Medea killed her brother to distract her father and be able to escape with Jason. Again they had to flee when Medea uses her powers to get Pelias killed by his own daughters. They finally settle in Corinth where they had two sons.
Plot
In order to climb the political ladder, Jason leaves Medea for Creusa who is the daughter of King Creon. Medea opens up the play by cursing Creusa and King Creon. King Creon gives Medea one day before she is exiled and she does not take Jason’s advice on going peacefully. She uses a regal robe to poison and sends it as a gift for Creusa on her wedding day with Jason. The chorus describe in great detail the rage, scorn, and anger that Medea felt as she plotted her revenge. The chorus prays to the gods that Jason (the leader of the Argonauts) is spared from Medea’s vengeance. Medea’s curse contains poisons, snake blood, herbs, and the invocations to all the underworld gods. The cursed robe kills Creusa and Creon by catching on fire when Creusa puts it on. Creon tries to put out his daughter but is unsuccessful and he catches on fire too. Their death does not satisfy Medea but only awakens her vengeful spirt more. Jason’s betrayal blinds Medea so much that her number one priority is hurting Jason. Even if hurting Jason means hurting her children. Medea sacrifices her children from the roof of her house in order to hurt Jason. Medea escapes in a dragon chariot while she throws the bodies of the boys down to Jason. Jason closes the play by stating that there are no gods because otherwise such acts would have not been committed.
Euripides vs. Seneca
Euripides’ Medea was written before Seneca’s Medea and even though they are similar there are differences. Seneca starts off his play with Medea herself expressing her hatred of Jason and Creon. Her first line is “O gods! Vengeance! Come to me now, I beg, and help me…” While Euripides introduces Medea later on in scene one and she complains to her nurse of the injustices she has faced. The chorus in Euripides’ Medea is not objective towards her. The chorus is Seneca’s Medea does no ridicule her and has an objective positions through out the play. Seneca’s chorus does not show sympathy towards Medea.The final scenes are particularly different because Medea does not blame Jason for the death of her children in Seneca’s version. She even kills one of her sons in front of Jason and blames herself for their death. Medea does the opposite in Euripides’ version because she blames Jason and does not carry any guilt or blame with her.
TICKETS on boxol.it
Gallery: € 22,00
Upper circle (numbered seats): € 16,50
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