S I C I L I A C L A S S I C A F E S T I V A L

La Traviata
an opera by Giuseppe Verdi
Ancient Theatre, Sunday 17th August 2025 @ 9:30pm
La traviata is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on La Dame aux camélias (1852), a play by Alexandre Dumas fils, which he adapted from his own 1848 novel. The opera was originally titled Violetta, after the main character. It was first performed on 6 March 1853 at La Fenice opera house in Venice.
La traviata has become immensely popular and is among the most frequently performed of all operas.
CHORUS: Coro Lirico Italiano Vincenzo Bellini
ORCHESTRA: Taormina Opera Festival
DIRECTION, SCENES and COSTUMES: Enrico Castiglione
TICKETS on vivaticket
Disccounts available (commissions not included)
Children up to 7 years: free
Reduced tickets for under 18 and over 65 years (ask the ticket office)
Until April 30, 2025:
Stalls (parterre): € 65,00
Gallery, central (sector C): € 55,00
Gallery, lateral (sector B and D): € 45,00
Gallery, central (sector A and E): € 35,00
Cavea (numbered steps): € 25,00
Cavea (unnumbered steps): € 15,00
From May 1st to June 30, 2025:
Stalls (parterre): € 75,00
Gallery, central (sector C): € 60,00
Gallery, lateral (sector B and D): € 50,00
Gallery, central (sector A and E): € 40,00
Cavea (numbered steps): € 30,00
Cavea (unnumbered steps): € 15,00
From July 1st to June 31st, 2025:
Stalls (parterre): € 85,00
Gallery, central (sector C): € 65,00
Gallery, lateral (sector B and D): € 55,00
Gallery, central (sector A and E): € 45,00
Cavea (numbered steps): € 35,00
Cavea (unnumbered steps): € 15,00
From August 1st to event’s day:
Stalls (parterre): € 90,00
Gallery, central (sector C): € 75,00
Gallery, lateral (sector B and D): € 60,00
Gallery, central (sector A and E): € 50,00
Cavea (numbered steps): € 40,00
Cavea (unnumbered steps): € 15.00
MORE INFO
Associazione Sicilia Classica Festival – www.facebook.com/siciliaclassicafestival
Synopsis
Place: Paris and its vicinity
Time: Beginning of the 19th century
ACT 1
The salon in Violetta’s house
Violetta Valéry, a famed courtesan, throws a lavish party at her Paris salon to celebrate her recovery from an illness. Gastone, a viscount, has brought with him a friend, Alfredo Germont, a young bourgeois from a provincial family who has long adored Violetta from afar. While walking to the salon, Gastone tells Violetta that Alfredo loves her, and that while she was ill, he came to her house every day. Alfredo joins them, admitting the truth of Gastone’s remarks.
Baron Douphol, Violetta’s current lover, waits nearby to escort her to the salon. Once there, the Baron is asked to give a toast, but refuses, and the crowd turns to Alfredo, who agrees to sing a brindisi – a drinking song (Alfredo, Violetta, chorus: Libiamo ne’ lieti calici – “Let’s drink from the joyful cups”).
From the next room, the sound of the orchestra is heard and the guests move there to dance. After a series of severe coughs and almost fainting, Violetta begins to feel dizzy and asks her guests to go ahead and to leave her to rest until she recovers. While the guests dance in the next room, Violetta looks at her pale face in her mirror. Alfredo enters and expresses his concern for her fragile health, later declaring his love for her (Alfredo, Violetta: Un dì, felice, eterea – “One day, happy and ethereal”). At first, she rejects him because his love means nothing to her, but there is something about Alfredo that touches her heart. He is about to leave when she gives him a flower, telling him to return it when it has wilted, which will be the very next day.
After the guests leave, Violetta wonders if Alfredo could actually be the one in her life (Violetta: È strano! … Ah, fors’ è lui – “Ah, perhaps he is the one”). But she concludes that she needs freedom to live her life (Violetta, Alfredo: Sempre libera – “Always free”). From off stage, Alfredo’s voice is heard singing about love as he walks down the street.
ACT 2
Scene 1: Violetta’s country house outside Paris
Three months later, Alfredo and Violetta are living together in a peaceful country house outside Paris. Violetta has fallen in love with Alfredo and she has completely abandoned her former life. Alfredo sings of their happy life together (Alfredo: De’ miei bollenti spiriti / Il giovanile ardore – “The youthful ardor of my ebullient spirits”). Annina, the maid, arrives from Paris, and, when questioned by Alfredo, tells him that she went there to sell the horses, carriages and everything owned by Violetta to support their country lifestyle.
Alfredo is shocked to learn this and leaves for Paris immediately to settle matters himself. Violetta returns home and receives an invitation from her friend, Flora, to a party in Paris that evening. Alfredo’s father, Giorgio Germont, is announced and demands that she break off her relationship with his son for the sake of his family, since he reveals that Violetta’s relationship with Alfredo has threatened his daughter’s engagement (Giorgio: Pura siccome un angelo, iddio mi diè una figlia – “Pure as an angel, God gave me a daughter”) because of Violetta’s reputation. Meanwhile, he reluctantly becomes impressed by Violetta’s nobility, something which he did not expect from a courtesan. She responds that she cannot end the relationship because she loves Alfredo so much, but Giorgio pleads with her for the sake of his family. With growing remorse, she finally agrees (Violetta, Giorgio: Dite alla giovine, sì bella e pura, – “Tell the young girl, so beautiful and pure,”) and says goodbye to Giorgio. In a gesture of gratitude for her kindness and sacrifice, Giorgio kisses her forehead before leaving her weeping alone.
Violetta gives a note to Annina to send to Flora accepting the party invitation and, as she is writing a farewell letter to Alfredo, he enters. She can barely control her sadness and tears; she tells him repeatedly of her unconditional love (Violetta: Amami, Alfredo, amami quant’io t’amo – “Love me, Alfredo, love me as I love you”). Before rushing out and setting off for Paris, she hands the farewell letter to her servant to give to Alfredo.
Soon, the servant brings the letter to Alfredo and, as soon as he has read it, Giorgio returns and attempts to comfort his son, reminding him of his family in Provence (Giorgio: Di Provenza il mar, il suol chi dal cor ti cancellò? – “Who erased the sea, the land of Provence from your heart?”). Alfredo suspects that the Baron is behind his separation from Violetta, and the party invitation, which he finds on the desk, strengthens his suspicions. He decides to confront Violetta at the party. Giorgio tries to stop Alfredo, but he rushes out.
Scene 2: Party at Flora’s house
At the party, the Marquis tells Flora that Violetta and Alfredo have separated, much to the amazement of everyone who had previously seen the happy couple. She calls for the entertainers to perform for the guests (Chorus: Noi siamo zingarelle venute da lontano – “We are gypsy girls who have come from afar”; Di Madride noi siam mattadori – “We are matadors from Madrid”). Gastone and his friends join the matadors and sing (Gastone, chorus, dancers: È Piquillo un bel gagliardo Biscaglino mattador – “Piquillo is a bold and handsome matador from Biscay”).
Violetta arrives with Baron Douphol. They see Alfredo at the gambling table. When he sees them, Alfredo loudly proclaims that he will take Violetta home with him. Feeling annoyed, the Baron goes to the gambling table and joins him in a game. As they bet, Alfredo wins some large sums until Flora announces that supper is ready. Alfredo leaves with handfuls of money.
As everyone is leaving the room, Violetta has asked Alfredo to see her. Fearing that the Baron’s anger will lead him to challenge Alfredo to a duel, she gently asks Alfredo to leave. Alfredo misunderstands her apprehension and demands that she admit that she loves the Baron. In grief, she makes that admission and, furiously, Alfredo calls the guests to witness what he has to say (Questa donna conoscete? – “You know this woman?”). He humiliates and denounces Violetta in front of the guests and then throws his winnings at her feet in payment for her services. She faints onto the floor. The guests reprimand Alfredo (Di donne ignobile insultatore, di qua allontanati, ne desti orror! – “Ignoble insulter of women, go away from here, you fill us with horror!”).
In search of his son, Giorgio enters the hall and, knowing the real significance of the scene, denounces his son’s behavior (Giorgio, Alfredo, Violetta, chorus: Di sprezzo degno sè stesso rende chi pur nell’ira la donna offende. – “A man, who even in anger, offends a woman renders himself deserving of contempt.”).
Flora and the ladies attempt to persuade Violetta to leave the dining room, but Violetta turns to Alfredo (Violetta: Alfredo, Alfredo, di questo core non-puoi comprendere tutto l’amore… – “Alfredo, Alfredo, you can’t understand all the love in this heart…”).
ACT 3
Violetta’s bedroom
Dr. Grenvil tells Annina that Violetta will not live long since her tuberculosis has worsened. Alone in her room, Violetta reads a letter from Alfredo’s father telling her that the Baron was only wounded in his duel with Alfredo. He has informed Alfredo of the sacrifice she has made for him and his sister; and he is sending his son to see her as quickly as possible to ask for her forgiveness. But Violetta senses it is too late (Violetta: Addio, del passato bei sogni ridenti – “Farewell, lovely, happy dreams of the past”).
Annina rushes into the room to tell Violetta of Alfredo’s arrival. The lovers are reunited and Alfredo suggests that they leave Paris (Alfredo, Violetta: Parigi, o cara, noi lasceremo – “We will leave Paris, O beloved”).
But it is too late: she knows her death approaches (Alfredo, Violetta: Gran Dio!…morir sì giovane – “Great God!…to die so young”). Alfredo’s father enters with the doctor, regretting what he has done. After singing a duet with Alfredo, Violetta suddenly revives, exclaiming that the pain and discomfort have left her. A moment later, she dies in Alfredo’s arms.
WHERE TO STAY
Hotel La Pensione Svizzera – Hotel Villa Schuler – Hotel Villa Ducale – Hotel Villa Carlotta
August 22, 2025 – Edoardo Bennato
Edoardo Bennato
Ancient Theatre, Friday 22 August 2025 @ 9:30pm
Edoardo Bennato (born 1946) is an Italian singer-songwriter.
He is considered one of the greatest artists in Italian rock, a genre that he has often combined with blues and folk. Guitarist, harmonica player and singer, he later began to propose himself as one-man band, playing at the same time also tambourines, kazoo and other percussions. His texts are often ironic, irreverent and turned in a biting way against power, at any level and in any form it manifests.
He was the first Italian singer to fill the San Siro Stadium in Milan with more than sixty thousand people on July 19, 1980 and the first Italian singer to perform at the Montreux Jazz Festival in 1976
TICKETS on ticketone
Platea: € 74,75
Gallery: € 63,25
Cavea, numbered seats: 51,75
Cavea, non-numbered seats: € 40,25
MORE INFO
https://www.bennato.net
WHERE TO STAY
Hotel La Pensione Svizzera – Hotel Villa Schuler – Hotel Villa Ducale – Hotel Villa Carlotta
August 18, 2025 – Carmina Burana
F E S T I V A L L I R I C O D E I T E A T R I D I P I E T R A
Carmina Burana
A Cantata by Carl Orff
performed by the Associazione Coro Lirico Siciliano
Ancient Theatre, Monday 18 August 2025 @ 9.00pm
TICKETS on ticketone (commissions not included)
Platea/Parterre central (gold): € 75,00
Platea/Parterre lateral: € 65,00
Gallery, central (gold): € 55,00
Gallery, lateral: € 45,00
Cavea, central: € 33,00
Cavea, lateral (non-numbered seats): € 22,00
MORE INFO
Coro Lirico Siciliano – www.coroliricosiciliano.com – www.facebook.com/coroliricosiciliano
WHERE TO STAY
Hotel La Pensione Svizzera – Hotel Villa Schuler – Hotel Villa Ducale – Hotel Villa Carlotta
August 17, 2025 – La Traviata by G. Verdi
S I C I L I A C L A S S I C A F E S T I V A L
La Traviata
an opera by Giuseppe Verdi
Ancient Theatre, Sunday 17th August 2025 @ 9:30pm
La traviata is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on La Dame aux camélias (1852), a play by Alexandre Dumas fils, which he adapted from his own 1848 novel. The opera was originally titled Violetta, after the main character. It was first performed on 6 March 1853 at La Fenice opera house in Venice.
La traviata has become immensely popular and is among the most frequently performed of all operas.
CHORUS: Coro Lirico Italiano Vincenzo Bellini
ORCHESTRA: Taormina Opera Festival
DIRECTION, SCENES and COSTUMES: Enrico Castiglione
TICKETS on vivaticket
Disccounts available (commissions not included)
Children up to 7 years: free
Reduced tickets for under 18 and over 65 years (ask the ticket office)
Until April 30, 2025:
Stalls (parterre): € 65,00
Gallery, central (sector C): € 55,00
Gallery, lateral (sector B and D): € 45,00
Gallery, central (sector A and E): € 35,00
Cavea (numbered steps): € 25,00
Cavea (unnumbered steps): € 15,00
From May 1st to June 30, 2025:
Stalls (parterre): € 75,00
Gallery, central (sector C): € 60,00
Gallery, lateral (sector B and D): € 50,00
Gallery, central (sector A and E): € 40,00
Cavea (numbered steps): € 30,00
Cavea (unnumbered steps): € 15,00
From July 1st to June 31st, 2025:
Stalls (parterre): € 85,00
Gallery, central (sector C): € 65,00
Gallery, lateral (sector B and D): € 55,00
Gallery, central (sector A and E): € 45,00
Cavea (numbered steps): € 35,00
Cavea (unnumbered steps): € 15,00
From August 1st to event’s day:
Stalls (parterre): € 90,00
Gallery, central (sector C): € 75,00
Gallery, lateral (sector B and D): € 60,00
Gallery, central (sector A and E): € 50,00
Cavea (numbered steps): € 40,00
Cavea (unnumbered steps): € 15.00
MORE INFO
Associazione Sicilia Classica Festival – www.facebook.com/siciliaclassicafestival
Synopsis
Place: Paris and its vicinity
Time: Beginning of the 19th century
ACT 1
The salon in Violetta’s house
Violetta Valéry, a famed courtesan, throws a lavish party at her Paris salon to celebrate her recovery from an illness. Gastone, a viscount, has brought with him a friend, Alfredo Germont, a young bourgeois from a provincial family who has long adored Violetta from afar. While walking to the salon, Gastone tells Violetta that Alfredo loves her, and that while she was ill, he came to her house every day. Alfredo joins them, admitting the truth of Gastone’s remarks.
Baron Douphol, Violetta’s current lover, waits nearby to escort her to the salon. Once there, the Baron is asked to give a toast, but refuses, and the crowd turns to Alfredo, who agrees to sing a brindisi – a drinking song (Alfredo, Violetta, chorus: Libiamo ne’ lieti calici – “Let’s drink from the joyful cups”).
From the next room, the sound of the orchestra is heard and the guests move there to dance. After a series of severe coughs and almost fainting, Violetta begins to feel dizzy and asks her guests to go ahead and to leave her to rest until she recovers. While the guests dance in the next room, Violetta looks at her pale face in her mirror. Alfredo enters and expresses his concern for her fragile health, later declaring his love for her (Alfredo, Violetta: Un dì, felice, eterea – “One day, happy and ethereal”). At first, she rejects him because his love means nothing to her, but there is something about Alfredo that touches her heart. He is about to leave when she gives him a flower, telling him to return it when it has wilted, which will be the very next day.
After the guests leave, Violetta wonders if Alfredo could actually be the one in her life (Violetta: È strano! … Ah, fors’ è lui – “Ah, perhaps he is the one”). But she concludes that she needs freedom to live her life (Violetta, Alfredo: Sempre libera – “Always free”). From off stage, Alfredo’s voice is heard singing about love as he walks down the street.
ACT 2
Scene 1: Violetta’s country house outside Paris
Three months later, Alfredo and Violetta are living together in a peaceful country house outside Paris. Violetta has fallen in love with Alfredo and she has completely abandoned her former life. Alfredo sings of their happy life together (Alfredo: De’ miei bollenti spiriti / Il giovanile ardore – “The youthful ardor of my ebullient spirits”). Annina, the maid, arrives from Paris, and, when questioned by Alfredo, tells him that she went there to sell the horses, carriages and everything owned by Violetta to support their country lifestyle.
Alfredo is shocked to learn this and leaves for Paris immediately to settle matters himself. Violetta returns home and receives an invitation from her friend, Flora, to a party in Paris that evening. Alfredo’s father, Giorgio Germont, is announced and demands that she break off her relationship with his son for the sake of his family, since he reveals that Violetta’s relationship with Alfredo has threatened his daughter’s engagement (Giorgio: Pura siccome un angelo, iddio mi diè una figlia – “Pure as an angel, God gave me a daughter”) because of Violetta’s reputation. Meanwhile, he reluctantly becomes impressed by Violetta’s nobility, something which he did not expect from a courtesan. She responds that she cannot end the relationship because she loves Alfredo so much, but Giorgio pleads with her for the sake of his family. With growing remorse, she finally agrees (Violetta, Giorgio: Dite alla giovine, sì bella e pura, – “Tell the young girl, so beautiful and pure,”) and says goodbye to Giorgio. In a gesture of gratitude for her kindness and sacrifice, Giorgio kisses her forehead before leaving her weeping alone.
Violetta gives a note to Annina to send to Flora accepting the party invitation and, as she is writing a farewell letter to Alfredo, he enters. She can barely control her sadness and tears; she tells him repeatedly of her unconditional love (Violetta: Amami, Alfredo, amami quant’io t’amo – “Love me, Alfredo, love me as I love you”). Before rushing out and setting off for Paris, she hands the farewell letter to her servant to give to Alfredo.
Soon, the servant brings the letter to Alfredo and, as soon as he has read it, Giorgio returns and attempts to comfort his son, reminding him of his family in Provence (Giorgio: Di Provenza il mar, il suol chi dal cor ti cancellò? – “Who erased the sea, the land of Provence from your heart?”). Alfredo suspects that the Baron is behind his separation from Violetta, and the party invitation, which he finds on the desk, strengthens his suspicions. He decides to confront Violetta at the party. Giorgio tries to stop Alfredo, but he rushes out.
Scene 2: Party at Flora’s house
At the party, the Marquis tells Flora that Violetta and Alfredo have separated, much to the amazement of everyone who had previously seen the happy couple. She calls for the entertainers to perform for the guests (Chorus: Noi siamo zingarelle venute da lontano – “We are gypsy girls who have come from afar”; Di Madride noi siam mattadori – “We are matadors from Madrid”). Gastone and his friends join the matadors and sing (Gastone, chorus, dancers: È Piquillo un bel gagliardo Biscaglino mattador – “Piquillo is a bold and handsome matador from Biscay”).
Violetta arrives with Baron Douphol. They see Alfredo at the gambling table. When he sees them, Alfredo loudly proclaims that he will take Violetta home with him. Feeling annoyed, the Baron goes to the gambling table and joins him in a game. As they bet, Alfredo wins some large sums until Flora announces that supper is ready. Alfredo leaves with handfuls of money.
As everyone is leaving the room, Violetta has asked Alfredo to see her. Fearing that the Baron’s anger will lead him to challenge Alfredo to a duel, she gently asks Alfredo to leave. Alfredo misunderstands her apprehension and demands that she admit that she loves the Baron. In grief, she makes that admission and, furiously, Alfredo calls the guests to witness what he has to say (Questa donna conoscete? – “You know this woman?”). He humiliates and denounces Violetta in front of the guests and then throws his winnings at her feet in payment for her services. She faints onto the floor. The guests reprimand Alfredo (Di donne ignobile insultatore, di qua allontanati, ne desti orror! – “Ignoble insulter of women, go away from here, you fill us with horror!”).
In search of his son, Giorgio enters the hall and, knowing the real significance of the scene, denounces his son’s behavior (Giorgio, Alfredo, Violetta, chorus: Di sprezzo degno sè stesso rende chi pur nell’ira la donna offende. – “A man, who even in anger, offends a woman renders himself deserving of contempt.”).
Flora and the ladies attempt to persuade Violetta to leave the dining room, but Violetta turns to Alfredo (Violetta: Alfredo, Alfredo, di questo core non-puoi comprendere tutto l’amore… – “Alfredo, Alfredo, you can’t understand all the love in this heart…”).
ACT 3
Violetta’s bedroom
Dr. Grenvil tells Annina that Violetta will not live long since her tuberculosis has worsened. Alone in her room, Violetta reads a letter from Alfredo’s father telling her that the Baron was only wounded in his duel with Alfredo. He has informed Alfredo of the sacrifice she has made for him and his sister; and he is sending his son to see her as quickly as possible to ask for her forgiveness. But Violetta senses it is too late (Violetta: Addio, del passato bei sogni ridenti – “Farewell, lovely, happy dreams of the past”).
Annina rushes into the room to tell Violetta of Alfredo’s arrival. The lovers are reunited and Alfredo suggests that they leave Paris (Alfredo, Violetta: Parigi, o cara, noi lasceremo – “We will leave Paris, O beloved”).
But it is too late: she knows her death approaches (Alfredo, Violetta: Gran Dio!…morir sì giovane – “Great God!…to die so young”). Alfredo’s father enters with the doctor, regretting what he has done. After singing a duet with Alfredo, Violetta suddenly revives, exclaiming that the pain and discomfort have left her. A moment later, she dies in Alfredo’s arms.
WHERE TO STAY
Hotel La Pensione Svizzera – Hotel Villa Schuler – Hotel Villa Ducale – Hotel Villa Carlotta
August 16, 2025 – Ennio Morricone Tribute
F E S T I V A L B E L L I N I A N O
Ennio Morricone Tribute
Ancient Theatre, Saturday 16th August 2025 @9:00pm
The most famous Ennio Morricone’s soundtracks.
TICKETS on vivaticket
Disccounts available (commissions not included)
Children up to 7 years: free
Until April 30, 2025:
Stalls (parterre): € 80,00
Gallery, central (sector C): € 65,00
Gallery, lateral (sector B and D): € 45,00
Gallery, central (sector A and E): € 30,00
Cavea (numbered steps): € 30,00
Cavea (unnumbered steps): € 20,00
From May 1st to June 30, 2025:
Stalls (parterre): € 85,00
Gallery, central (sector C): € 75,00
Gallery, lateral (sector B and D): € 55,00
Gallery, central (sector A and E): € 45,00
Cavea (numbered steps): € 35,00
Cavea (unnumbered steps): € 22,00
From July 1st to the day of the show August 16th 2025:
Stalls (parterre): € 90,00
Gallery, central (sector C): € 80,00
Gallery, lateral (sector B and D): € 60,00
Gallery, central (sector A and E): € 50,00
Cavea (numbered steps): € 40,00
Cavea (unnumbered steps): € 25,00
REDUCED from 8 to 18 years and over 65 years
(children up to 7 years: free)
Until April 30, 2025:
Stalls (parterre): € 70,00
Gallery, central (sector C): € 55,00
Gallery, lateral (sector B and D): € 40,00
Gallery, central (sector A and E): € 25,00
Cavea (numbered steps): € 20,00
From May 1st to June 30, 2025:
Stalls (parterre): € 75,00
Gallery, central (sector C): € 65,00
Gallery, lateral (sector B and D): € 45,00
Gallery, central (sector A and E): € 35,00
Cavea (numbered steps): € 25,00
From July 1st to the day of the show August 16th 2025:
Stalls (parterre): € 80,00
Gallery, central (sector C): € 70,00
Gallery, lateral (sector B and D): € 50,00
Gallery, central (sector A and E): € 40,00
Cavea (numbered steps): € 30,00
MORE INFO
Associazione Sicilia Classica Festival – www.facebook.com/siciliaclassicafestival
WHERE TO STAY
Hotel La Pensione Svizzera – Hotel Villa Schuler – Hotel Villa Ducale – Hotel Villa Carlotta
August 12, 2025 – Astor, un secolo di tango
F E S T I V A L T A O R M I N A A R T E
Astor, un secolo di tango
Balletto di Roma
and Orchestra del Teatro Vittorio Emanuele di Messina
Ancient Theatre, Tuesday 12th August 2025 @9:30pm
An evening of dance and music that pays homage to Argentina and to the tango.
On stage the orchestra of the Teatro Vittorio Emanuele in Messina with the bandoneonist Mario Stefano Pietrodarchi and the Balletto di Roma.
Choreography: Valerio Longo
Direction: Carlos Branca
TICKETS on ticketone and boxol
Platea: € 30,00
Gallery: € 20,00
MORE INFO
Fondazione Taormina Arte – www.facebook.com/fondazionetaorminartesicilia – info@taorminaarte.org – Mob. +39 391 746 2146
WHERE TO STAY
Hotel La Pensione Svizzera – Hotel Villa Schuler – Hotel Villa Ducale – Hotel Villa Carlotta
August 10, 2025 – Riccardo Cocciante
Riccardo Cocciante
Taormina Ancient Theatre, August 10, 2025 @ 9:00pm
Riccardo Cocciante also known in French-speaking countries and the United States as Richard Cocciante, is an Italian and French singer and songwriter. He in 1946 in Saigon, French Indochina (now Ho Chi Minh, Vietnam), to an Italian father and a French mother. At the age of 11, he moved to Rome, Italy, where he attended the Lycée français Chateaubriand.
Cocciante had his breakout one year later with “Bella senz’anima”, which turned to be a major hit but also raised controversities, being considered sexist and being censored on Italian television. In 1976, he got another number one spot on the Italian hit parade with “Margherita”, his signature song. The same year, he covered the Beatles song “Michelle”, featuring the London Symphony Orchestra, for the musical documentary All This and World War II.
In 1983, Cocciante was the first Italian artist to be signed to Virgin Records. Following several more hits, notably the 1985 duet with Mina “Questione di feeling”, in 1987 he moved to Florida, and except for a live album he took a long artistic break.
In 1998, Cocciante composed Notre-Dame de Paris, a musical adaptation of Victor Hugo’s The Hunchback of Notre-Dame; the musical, with lyrics by Luc Plamondon in its French version and by Pasquale Panella in its Italian version, proved to be a worldwide success, and the relevant CDs sold about 10 million copies. Other two successful musicals followed: Le Petit Prince, and Giulietta e Romeo. He also made a Chinese-language adaptation of Giacomo Puccini’s opera Turandot, which was directed by Zhang Yimou.
TICKETS on ticketone
Platea: € 40,00
Gallery: € 30,00
Cavea, non-numbered seats: € 20,00
MORE INFO
WHERE TO STAY
Hotel La Pensione Svizzera – Hotel Villa Schuler – Hotel Villa Ducale – Hotel Villa Carlotta
August 8, 2025 – Gipsy Kings by Andrè Reyes
Gipsy Kings
by Andrè Reyes
Ancient Theatre, Friday 8th August 2025 @9:00pm
Gipsy Kings (originally Los Reyes) are a musical group founded in 1979 in Arles, France. The band, whose members have Catalan heritage, play a blend of Catalan rumba, flamenco, salsa, and pop. They perform mostly in Spanish but also mix in Catalan, French, and languages of southern France, such as Occitan.
Although the group members were born in France, their parents were mostly gitanos (Spanish Romani) who fled Spain during the 1930s Spanish Civil War. They are known for bringing rumba flamenca, a pop-oriented music distantly derived from traditional flamenco and rumba, to a worldwide audience, and for their interpretations of English-language pop hits.
In the 1970s, José Reyes and Manitas de Plata were a duo who played rumba flamenca in the southern French town of Arles. When they split up, Reyes began performing with his sons, Nicolas, François (Canut), André, Patchaï, and Paul (Pablo), as José et Los Reyes (as well as being their family name, reyes means “kings” in Spanish). After their father’s death in 1979, the brothers continued to perform, joined by cousins and other relatives.
André Reyes performs with his own band, under the name Gipsy Kings by André Reyes. The group consists of André and a number of his relatives, including his son Thomas.
TICKETS on ticketone
Platea: € 86,00
Gallery: € 69,00
Cavea, numbered seats: 50,00
Cavea, non-numbered seats: € 38,00
MORE INFO
https://gipsykingsandrereyes.com
www.instagram.com/gipsykingsandrereyes
WHERE TO STAY
Hotel La Pensione Svizzera – Hotel Villa Schuler – Hotel Villa Ducale – Hotel Villa Carlotta
August 4, 2025 – Loredana Bertè
Loredana Bertè
Ancient Theatre, Monday 4th August 2025 @ 9:30pm
Loredana Bertè is an Italian singer (brn 1950), songwriter and actress. She has worked with prominent Italian songwriters such as Pino Daniele, Ivano Fossati, Mario Lavezzi, Mango and Enrico Ruggeri, among others; her sister Mia Martini was also an acclaimed singer. She has experimented with different genres, from rock to reggae, from funk to pop. Bertè is known for the eccentric clothing she wears onstage for her performances.
TICKETS on ticketone
Platea (Parterre): € 92,00
Gallery (Tribunetta), central: € 80,50
Gallery (Tribunetta), lateral: € 69,00
Cavea, central (numbered seats): € 57,50
Cavea, lateral (NON-numbered seats): € 46,00
MORE INFO
https://loredanaberte.it
www.facebook.com/loredanabertepaginaufficiale
WHERE TO STAY
Hotel La Pensione Svizzera – Hotel Villa Schuler – Hotel Villa Ducale – Hotel Villa Carlotta
August 6, 2025 – Francesco Gabbani
Francesco Gabbani
Ancient Theatre, Wednesday 6th August 2025 @ 9:30pm
Francesco Gabbani (born 9 September 1982) is an Italian singer-songwriter and multi-instrumentalist.[1][2] He rose to fame after winning the newcomers’ section of the Sanremo Music Festival 2016 with the song “Amen”. The next year, he went on to win the main section of the Sanremo Music Festival 2017 with the song “Occidentali’s Karma”. He also represented Italy in the Eurovision Song Contest 2017, where he finished in 6th place.
TICKETS on ticketone
Parterre: € 74,75
Gallery: € 74,75
Cavea, central (numbered seats): € 63,25
Cavea, lateral (NON-numbered seats): € 43,70
MORE INFO
www.facebook.com/francescogabbaniofficial
WHERE TO STAY
Hotel La Pensione Svizzera – Hotel Villa Schuler – Hotel Villa Ducale – Hotel Villa Carlotta
August 3, 2025 – Jimmy Sax and Symphonic Dance Orchestra
Jimmy Sax and Symphonic Dance Orchestra
Ancient Theatre, Sunday 3rd AUgust 2025 @9:30pm
TICKETS on ticketone (commissions not included)
Platea: € 98,00
Gallery, central (gold): € 85,00
Gallery, lateral: € 77,00/66,00
Cavea, central (gold): € 60,00
Cavea, lateral: € 50,00/40:00
Cavea, non-numbered seats: € 27,50
MORE INFO
www.instagram.com/jimmysax – www.facebook.com/JimmySaxJimRolland – https://www.youtube.com/channel